The Visconti-Sforza Hanged Man
This oldest surviving card of the Hanged Man, from the 15th century, immediately gives an important clue of how to interpret its symbolism. This is remarkable, because on most Visconti cards, the esoteric meaning is hidden in subtle details, which can only be understood when tarot cards from later centuries are placed next to them.
You must first enlarge this card on your screen, because this time the deeper meaning is not hidden by the artist’s hand, but by the influence of time. Up close you can see fire emanating from the upper body of the Hanged Man. This is the kundalini fire that has awakened, and which now purifies his body, head (thinking) and heart (feeling). The color white of his blouse refers to this purification. The long row of buttons on the blouse refer to his spine that is on fire.
With this interpretation, the puzzle pieces of the other symbolism also fall into place. Standing on one leg means being rooted in the oneness of the divine (see examples of other tarot cards below). Because the man hangs upside down, one leg is also directed towards heaven, which reinforces the symbolism.
Standing on one leg refers to God-realization.
Left: The Emperor from the Tarot of Marseille (Jacques Vieville, 1650)
Right: The World from the Tarot of Marseille (anonymous, 17th century)
Also in Christian painting, showing/standing on only one leg has been used to communicate that Jesus had experienced a kundalini awakening. Two examples below.
The head of the Visconti Hanged Man touches the blue-colored mountains in the background. A mountain is a universal symbol for an expansion of consciousness (on a mountain you are closer to God), and blue refers to heaven / the divine. The wooden frame on which the man hangs evokes associations with a door; a symbol for a transition / transformation to something new.
The Hanged Man is in a process of God-realization. His blonde (golden) hair also fits this explanation. This transformation process requires stillness. The life energy no longer flows to the outside world, but is directed inwards. The man’s facial expression indicates a state of detachment and surrender.