KUNDALINI SYMBOLS

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Triangle

Symbol for:
the sacrum / the kundalini

Examples from Christian art

CLICK ON THE IMAGES FOR AN ENLARGEMENT

Throughout the ages there have always been initiates, artists and mystics who knew that Jesus was not born as ‘the Son of God’, but had experienced a kundalini awakening, after which he was one with his Divine Father. The Gospel writers have hidden this spiritual truth in their texts in inventive ways, including the use of imagery and wordplay (see my books’). Because of the rigid attitude of the church, the truth could not be spoken aloud, but underground, through esoteric groups such as the Freemasons, it found its way onto the canvas.

THE SIGN OF THE SACRED MARRIAGE (two fingers together: 2=1) is incorporated in many paintings, in one form or another, often in combination with other esoteric symbolism. This hand gesture refers to a fusion of the polar energies/duality, and with this to a process of kundalini awakening.

Nicolas Frances (attr.)

Dirk Hendricksz. Centen (Teodoro d’ Errico), 1578. The extended MIDDLE FINGER (click here) refers to an awakened spine.

Sint Joris, Pere Niçard, 1470. The story of St. George and the dragon is a metaphor for an aspect of the kundalini process. Read about this in my book ‘Kundalini Awakening’.

Master of Saint Gudule. Mary Magdalene (in red dress) points at her PELVIS. Read about her own kundalini awakening in my book ‘Mary Magdalene, the disciple whom Jesus loved’.

Geertgen tot Sint Jans. The CORD runs from head to pelvis: the path of the awakened kundalini energy. Read more in my book ‘Kundalini Awakening’.

Upper Rhenish Master, 1460.

Dutch School, 16th century.

German School, circa 1600.
In the foreground lies part of a PELVIS.

Giovanni Girolamo Savoldo
In the foreground lies a PELVIS

Cristóbal de Villalpando

Hugo van der Goes

Gerard David, circa 1508. The IRIS (click here) next to Jesus is a symbol for the PINEAL GLAND. Read about the symbolism surrounding the BAPTISM of Jesus in my book “John the Baptist who became Jesus the Christ”.

Abraham, Abel and Melchizedek,
Basilica of Sant’apollinare, Ravenna, Italy, 6th c
entury.

Juan de Flandes. In the foreground lies part of a PELVIS.

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