Examples from Christian art
CLICK ON THE IMAGES FOR AN ENLARGEMENT
Throughout the ages there have always been initiates, artists and mystics who knew that Jesus was not born as ‘the Son of God’, but had experienced a kundalini awakening, after which he was one with his Divine Father. The Gospel writers have hidden this spiritual truth in their texts in inventive ways, including the use of symbolism and wordplay (see my books). Because of the rigid attitude of the church, the truth could not be spoken aloud, but underground, through esoteric groups such as the Freemasons, it found its way onto the canvas.
THE SIGN OF THE SACRED MARRIAGE (two fingers together: 2=1) is incorporated in many paintings, in one form or another, often in combination with other esoteric symbolism. This hand gesture refers to a fusion of the polar energies/duality, and with this to a process of kundalini awakening.
Hans Holbein the Younger
The evangelist John, Colijn de Coter.
The Foolish Virgin, Martin Schongauer. The OIL in the LAMPS (chakra’s) of the VIRGINS is a metaphor for the kundalini-energie. The SCARF from pelvis to head, ending in a knot, refers to the KNOT OF ISIS (click here).
Liberale da Verona
Susanna and the Elders, Sebastiano Ricci. The Bible story of Susanna and the Elders is a metaphor for a kundalini process. Read more in my book ‘Mary Magdalene, the disciple whom Jesus loved’.
Saint Sebastian, Gerolamo Giovenone.
Bartholomaus Spranger. Read about the symbolism surrounding the BAPTISM of Jesus in my book ‘John the Baptist Who Became Jesus the Christ’.
St Bartholomew, El Greco, Prado.
St Catherine of Alexandria, Pinturicchio,
Vatican, circa 1494.
St. Pierre le Vieux. The FLOGGING (click here) of Jesus is a metaphor for the PURIFYING effect of the kundalini energy.
Giovanni di Francesco del Cervelleira, 1460.
The Evangelist John, Dionislo Baschenis, circa 1500.
Bernardino Mei, 17th century.
Francesco Fontebasso, 1753. Read the kundalini awakening of John the Baptist in my book ‘John the Baptist Who Became Jesus the Christ’.
St. Hilarion, Boëtius Adamsz. Bolswert, 1612.
Daniele da Volterra. This painting says: the ASCENSION of Mary takes place in the HEAD.
Simon Vouet, 1633.
Giuseppe Cesari (Cavaliere). The DECAPITATION of Goliath by David is a metaphor for the DEATH of the EGO. This is an aspect of the kundalini process. Read about this in my book ‘Kundalini Awakening’.
The Bible itself reveils this in the language of symbolism.
Read more in my book “Mary Magdalene, the disciple whom Jesus loved.”
The Ecstasy of Mary Magdalene, Simon Vouet.
Leonardo de Vinci. Mary points with her MIDDLE FINGER to her PELVIS, the abode of the kundalini. The way she holds her dress is a reference to the KNOT OF ISIS (click here): a symbol for the PINEAL GLAND.
Pinksteren, Hans Leonard Schaufelein, 1510. MARY MAGDALENE HIDES HER FACE behind her cloak: the Church does not see her as one of the apostles. She was, however, an apostle; she was even Jesus’ most important disciple! Read more in my book, “Mary Magdalene, the disciple whom Jesus loved”
Jacopo da Pontormo, 1527.