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Tarot 1. The Magician

1. The Magician

Nowadays a magician has a certain prestige. Whether it is a quick-fingered entertainer, or a talented “energy worker”, his or her showmanship evokes awe and admiration. In the 15th century, however, when the first tarot cards were born, a magician did not have much more status than the Fool; the wanderer on the first card of the major arcana. A magician was a street artist and he was associated with deception and scamming.

The Visconti-Sforza deck is the oldest known tarot deck. It depicts the Magician with the four symbols of the minor arcana: a staff, a knife (sword), a cup and coins. In the centuries that follow we sometimes see other objects on the Magician’s table. Oswald Wirth (1890) re-esthablishes the Magician as the keeper of the four minor arcana symbols. This will remain the standard for almost all decks after Wirth’s.

Visconti-Sforza Tarot (circa 1463)

Stefano Vergnano Tarot (1830)

Oswald Wirth Tarot (1889)

On the table of the Visconti card also lies an enigmatic white cloth with something underneath. Some tarot researchers have opted this is a so-called velum that covers the consecrated hosts in the Catholic Church. During the height of Catholic mass, ordinary bread (the host) changes to “the Body of Christ” (called the transubstantiation). The transubstantiation is indeed a beautiful metaphor for the process of spiritual transformation that the entire major arcana stands for.

Aaron’s staff

The Magician of the Etteilla Tarot (1890) is dressed as a Jewish priest, a reference to the high priest Aaron, the brother of the prophet Moses, from the Old Testament. Moses and Aaron both had a special staff that could turn into a serpent; a biblical metaphor for a kundalini awakening.

When a priest is to be chosen from twelve tribal chiefs, God instructs all candidates to give a stick to Moses. And the staff of the man whom I choose will blossom,” says God (Numbers 17: 5).

The next day Moses entered the tent of the testimony and saw that Aaron’s staff, representing the house of Levi, had sprouted, formed buds, blossomed, and produced almonds! (Numbers 17: 8)

The blossoming and bearing fruit of the staff is a apt metaphor for a spine in which the awakened kundalini energy is flowing. This “sprouting” of Aaron’s staff is a theme that has found its way into the tarot. In many decks we find staffs with buts and leaves attached to them, something that is not common for a staff that is used for walking or sheep herding.

Grand Etteilla tarot (1890)

“Moses and Aaron before the Pharaoh”
(16th century, Metropolitan Museum of Art)

Aäron’s staff blossoms

The ten coins, or tokens, on the table of the Magician of the Etteilla deck, are organised in the pattern 1-2-3-4, a reference to the tetraktys of Pythagoras. The philosopher Pythagoras, who lived around 500 BC, saw the tetraktys as the foundation of the cosmos and as an expression of the divine. Ten, the sum of the numbers one, two, three, and four, is a sacred number for the Pythagoreans; symbol for harmony and perfection.

The title Maladie (illness) does not refer to the Magician, but to the meaning that, according to Etteilla, the card has in a tarot reading.

The symbols of the minor arcana

With his tarot deck, in 1909, Arthur E. Waite is the first to also illustrate all the cards of the minor arcana. The cards of pentacles (or coins), cups, rods and swords, were already associated with the four elements – earth, water, fire and air – before this time. Now this connection is made visible in the illustrations of the Rider-Waite-Smith (RWS) deck.

The symbolism, however, does not stop with the classical four elements. The four symbols of the minor arcana, on the table in front of the magician, also refer to the divine and various aspects of a kundalini awakening. The four aces of the deck, with the Hand of God holding the symbols, are an example of this. Colman-Smith was inspired by the Tarot of Marseille for these illustrations.

The Magician of the Rider-Waite-Smith Tarot

The aces of the Rider-Waite-Smith Tarot

The sword, the staff, and the cup are ancient symbols that are used in many traditions to refer to a kundalini awakening. Surprisingly enough, even in the 17th century Tarot of Marseille. We see a divine hand and divine (kundalini) fire on the Aces of Swords and Rods.

The aces of the Tarot of Marseille (17th century)

The castle-like top of the chalice on the Ace of Cups refers to the Kingdom of God. The mysterious liquid that flows over the rim of the chalice in three small waves represents the divine energy that flows to body, heart (feeling) and head (thinking); a classical tripartite division of man, which we also see in Biblical symbolism.

Even though I walk through the valley of the shadow of death,
I fear no evil, for You are with me;
Your rod and Your staff, they comfort me

You prepare a table before me in the presence of my enemies;
You have anointed my head with oil;
My cup overflows.
(Psalm 23:4-5)

Cups Seven from the RWS deck is also very interesting in terms of symbolism. Each cup on this card shows a characteristic of the kundalini energy:

  • A serpent => a classic symbol of the kundalini energy
  • A dragon => if the kundalini energy is used to feed the animal instincts, it is a dragon that must be conquered
  • The head of an angel => an angel is a metaphor for the (divine) kundalini energy
  • A castle on a mountain => the Kingdom of God
  • Jewels => the inner wealth / abundance that the divine brings
  • Someone under a cloth => the purifying effect of the kundalini energy makes one invisible (ego-less)
  • A laurel wreath with a skull (on the chalice itself) => victory over death

Like the staff, the sword is also a metaphor for the spine with the kundalini energy flowing in it. The image of a sword refers to the inner battle and the cleansing – the “cutting away” of everything that prevents a connection with God – that are part of the process of awakening.

Cups Seven (RWS)

Cups Two (RWS) with kundalini symbolism

From: Aurora consurgens, 15th century

On this illustration from alchemy we see the kundalini energy personified by a winged woman (angel / Sophia), standing on the moon (symbol for the feminine), with a sword in her opened belly. Her black skin color refers to the hidden / locked up (in the pelvis) character of the kundalini (the theme of the “Black Madonna”).

The pentagram

The pentagram is a symbol that is almost as old as humanity itself. In many traditions it is a highly valued esoteric sign. Among other things because of its special mathematical properties, the five-pointed star stands for the perfect human being; for the person who has realized the divine.

Over time, the inverted pentagram, pointing downwards, acquired the meaning of satanism. Nowadays, with one point up, the star stands for the divine dominating over matter (the four elements). With two points up it is the lower, animal drives (satan) that rule.

From: ‘The Alchemy of the Freemason’, by François-Nicolas Noël, early 19th century.

From: “Le Barbier Medecin ou les Fleurs d’Hyppocrate”, by Jean Michault, 1672.

The Greek goddess Hygieia with pentagram, staff and serpent.

On the illustration from Jean Michault’s book the letters YGEIA are added to the pentram. This refers to the Greek hugieia which means wholeness / health, and to Hygieia , the goddess of health and purity (hygiene). As an attribute, Hygieia, like her father Asclepius, the god of medicine, has a staff with a serpent. The deeper meaning of this is that a kundalini awakening leads to (spiritual) wholeness and purity.

We also see a dragon depicted on Michault’s illustration. This represents the animal drives that pose a threat to God-realization (‘hugieia‘).

The staff of Hermes

Tarot decks that originate from, or are inspired by, the 19th century occult grouping The Golden Dawn often relate the Magician to the Greek god Hermes (Mercury to the Romans). By touching them with his serpent staff, the caduceus, Hermes could put people to sleep and wake them up. In other words: he could awaken spiritually unconscious people.

Classic Golden Dawn Tarot (2004)

Knapp-Hall Tarot by Manley Hall (1929)

Hermetic Tarot by Godfrey Dowson (1980)

Thoth Tarot by Aleister Crowley (1969)

On the Classic Golden Dawn card , the Magician has a caduceus on his chest. With his hands he makes the figure of a triangle with one point upwards – the symbol for the element fire – at the height of his pelvis. This is a reference to the “kundalini fire” at the sacrum. This card is without color. Traditionally, members of the Golden Dawn were supposed to color their own tarot cards. On the table are not the four symbols of the minor arcana, but objects that refer to the Grail legend: the Holy Lance of Longinus, with which Jesus was pierced on the cross; Excalibur, the sword of King Arthur; and the Holy Grail itself, in which, supposedly, the blood of Jesus was collected. The cube represents the divine. The four objects are placed in the form of a pentagram.

On the Knapp-Hall Tarot card, the Magician’s staff is a caduceus. Geoffrey Dowson (Hermetic Tarot) has chosen to depict the entire figure of Hermes / Mercury. The Magus of the Thoth Tarot is, as it were, a caduceus himself. Behind him a long staff is placed and at the height of his head spiral two serpents. The wings of the god Hermes are connected to his feet. At the top of the card we see a small, descending dove.

The Rider-Waite-Smith Magician

The RWS Tarot makes a link between the Magician and an alchemist. Red and white – the Magician’s clothing – are the colors that represent in alchemy the two poles of duality, which must be fused into a (divine) unity. On an energetic level, these colors refer to the two energy channels, running along the spine, which in the yoga tradition are called ida-nadi (the feminine, white) and pingala-nadi (the masculine, red). They are also the two serpents that spiral upwards on the staff of the god Hermes.

Alchemy often uses images from nature, such as flowers. On the illustration from the manuscript of Basilius Valentinus we see a king – symbol for the alchemist who has realized the divine – standing wide-legged between a rose (red) and a lily (white). These are the same flowers that we also see on the RWS card of the Magician.

He is holding a sun and a moon in his hands. These are also symbols that express duality. The alchemical emblem with the mythical figure Hermes Trismegistus illustrates that the fusion of these poles takes place through the action of (the kundalini) fire.

From an alchemical manuscript by Basilius Valentinus, 1613.

Hermes Trismegistus, from: Viridarium Chymicum, of D. Stolz von Stolzenberg, 1624

The lemniscate, above the head of the RWS Magician, is a universal symbol that expresses this fusion. Around the Magician’s waist we see a so-called ouroboros; a serpent that eats its own tail. The ouroboros is an ancient symbol, also from alchemy, that with its circular shape stands for the cyclical nature of creation, and its underlying divine unity. This ouroboros as a belt symbolizes that the animal drives (the lower abdomen) must be mastered in order to experience the divine.

With his arms, one pointing up and one pointing down, the Magician expresses the connection of heaven and earth. The raised staff must tell us how this connection is established: by raising the kundalini. The staff has two small buttons, a subtle reference to the fusion of the polarities that must be achieved.

Colman-Smith has added an additional clue for tarot researchers to clarify the deeper meaning of this card. On the rim of the table, on the right, we see a rising bird. This is the dove of the Holy Spirit, which is also depicted on the Ace of Cups. However, we read in the Bible that the Holy Spirit, in the form of a dove, descends on Jesus:

Now when all the people were baptized, Jesus was also baptized, and while He was praying, heaven was opened, and the Holy Spirit descended upon Him in bodily form like a dove, (Luke 3:21-22)

Blood of the Redeemer, by Bartolomeo Passarotti, 16th century, Museum of Fine Art, Boston

In Christianity the kundalini energy is called The Holy Spirit. The Bible is written in the language of symbolism. Inner processes are explained by using images that the masses could understand. A dove that descends represents the kundalini energy that rises. Colman-Smith knew this and hid this esoteric knowledge in the card of the Magician.

This is also explains the inverted M on the Ace of Cups (see above); a mysterious detail that has kept tarot analysts wondering and guessing for over a century. What does it mean? The M stands for the god Mercury and refers to the water that flows from the cup. In alchemy, the kundalini energy is called Mercurial Water.

The inverted M indicates that we have to turn over the card, to understand its meaning. The water that flows from the cup and the dove both represent the rising kundalini energy. The five streams of water refer to the pentagram (the perfected man).

We can also find this deeper meaning of Bible stories in paintings. Always subtle, because esoteric knowledge could not be dispayed, or spoken about, openly. The painting of Bartolomeo Passarotti, from the 16th century, creativily connects the dove of the Holy Spirit, the rising kundalini serpent, the resurrection of Jesus, and the Holy Grail. An in-depth analysis of this subject can be found in my book: John the baptist who became Jesus the Christ.

The staff of Moses

The Magician in mosaic of the French castle Château des Avenières contains a number of new elements, in comparison to the decks discussed above. On the table is a dish with a hexagram on it. This six-pointed star, also a classical symbol, represents the fusion of the opposites (the merging of two triangles). The handle of the sword is decorated with appropriate lunar symbolism, a reference to the ‘goddess energy’ that the sword stands for. The kundalini energy is seen in many traditions as a feminine aspect of God.

An intriguing detail is the small stream of water that meanders between the feet of the Magician. This, also, is a metaphor for the kundalini-energy, derived from the Old Testament. As the people of Moses roam the wilderness looking for the Promised Land, they get thirsty and start to complain. Moses then hits a rock with his staff – the one that can also turn into a serpent – and water starts pouring out (Exodus 17: 6). Jesus calls this “living water” in the New Testament. Water that will quench your (spiritual) thirst forever:

But whosoever drinks of the water that I shall give him shall never thirst; but the water that I shall give him shall be in him a well of water springing up into everlasting life (John 4:14)

The Magician of Château des Avenières

Moses hits a rock with his staff and water pours out.


Tarot card The Magician stands for connecting heaven and earth. For transformation and self-realization. The Magician is an alchemist. His Magnum Opus is creating the inner (spiritual) gold. His staff, with which he works magic, is the staff of Hermes / Mercury: his spine with flowing in it the Holy Spirit of God.

Dragons Tarot
(Lo Scarabeo 2004)

The inner work of the Magician is revealed in beautiful symbolism. The burning candle on the table has the shape of the pineal gland. When the kundalini fire (the burning staff) has arrived at the pineal gland, in the middle of the head, hormones and opiate-like substances are produced, giving a mystic experience. For this to happen, the the inner polarities (the statue of a man and a woman) must be unified. The chessboard represents the inner battle between the higher nature (the white angels) and the lower, animal nature (the red devils). The menacing dragon represents the animal instincts of the Magician, that will extinguish the divine light if he does not pay attention!

Tarot of Mermaids
(Lo Scarabeo 2003)

The trident on this card – an attribute of the sea god Poseidon (Neptune) – has the same symbolic meaning as the caduceus. The three “teeth” of the trident represent the three energy channels involved in a kundalini awakening.

Dark Exact deck
(Coleman Stevenson 2016, self published)

An original perspective: the work of the Magician made clear in the language of alchemy. The flask is the alchemist himself, in which the Magnum Opus takes place. The plant is a saffron crocus (crocus sativus). Saffron is a very expensive spice, with a medicinal effect. Each flower has three pistils that must be picked and treated with care to obtain saffron. A beautiful metaphor for the budding of the inner “kundalini flower”, which involves three energy channels.
On the right the symbol for the ultimate goal of the alchemist: the “Philosophers ‘s Stone” – the inner gold. On the left the symbol for platinum, which stands for persistence, determination and completion.

Tarot of the Angels
(Lo Scarabeo 2008)
© of images belong to Lo Scarabeo

The magician / alchemist is helped by an angel. Everyone who chooses this path receives guidance and support from the divine dimensions!

Arcus Arcanum Tarot
(AGM Müller 1987)

The big white bow on this card, designed by the German cartoonist Hansrudi Wascher, concisely summarizes the inner work of the Magician: the merging of the duality of creation – the Alpha and Omega, in Biblical terms – into divine unity (the lemniscate).

Mona Lisa Tarot
(Lo Scarabeo 2008)
© of images belong to Lo Scarabeo

A magician / alchemist working in his laboratory. On his table we see what really has to be “transformed” in alchemy: the heart and the head (brain).

Golden Tarot of the Tsar
(Lo Scarabeo 2003)

The choice of Jesus as the Magician is spot on. The story of Lazarus who is raised from the dead, is a metaphor for an inner “resurrection,” or spiritual awakening. The sign that Jesus makes with his right hand is what I have named “the sign of the sacred marriage”: the union of the masculine and the feminine energies, followed by a union with God. This subject is discussed in my book John the Baptist who became Jesus the Christ.

This article was published in Paravisie Magazine (march ’19). Copyright Anne-Marie Wegh 2019

Anne-Marie Wegh is the author of the book
John the Baptist who became Jesus the Christ

© of images belong to Lo Scarabeo.
Foto’s Châteaux de Avenières: http://hermetism.free.fr/Avenieres

By |2020-02-10T14:34:00+00:00February 10th, 2020|Anne-Marie, Tarot|Comments Off on Tarot 1. The Magician

Tarot 6. The Lovers

6. The Lovers

Love … we endlessly sing, write poetry, and philosophize about it. Anyone who is struck by Cupid’s arrows has only one thought, only one desire: the other. Cupid’s blindfold represents what love does to us: when the heart is on fire, our reasoning faculties disappear through the back door.
Or not? Do you have a choice? This is the theme of card number 6 of the tarot: The Lovers!

The Visconti Tarot

Already in the 15th century, this card had a deeper layer that is seen by only a few: the primal forces of love as a catalyst for the process of God-realization.

The two hand-painted cards of The Lovers from the Visconti Tarot (it was not called tarot at the time), which have been preserved, seem to be about a union between a man and a woman, with a role for Cupido. However, the entire staging of both cards is about inner processes: about the sacred marriage and the sublimation (transformation) of the sexual energies that is required for this inner union.

What first of all stands out with both cards is that Cupid is not depicted with his usual bow and arrow, but with two sticks, which he holds to left and right of his body. This represents the three energy channels that are involved in a kundalini awakening. Cupido himself stands for the energy – the divine kundalini – that flows through the spine. The two sticks represent the feminine and masculine energies (the inner polarity), which flow on the left and right side of the spine. The yoga tradition calls these two energy channels, respectively, the ida-nadi and the pingala-nadi.

The Lovers from the Visconti di Modrone deck (15th century)

Rosarium Philosophorum (ca. 1550)

On the image from the alchemical manuscript Rosarium Philosophorum (above), the kundalini energy is personified by a naked woman with golden hair, and a crown that is topped by a tree (another metaphor for the kundalini). She also holds two sticks (with a flame on it). The sun and moon next to the sticks confirm that they represent polarity.

The Visconti di Modrone Lovers

The man and woman on the Visconti di Modrone card are standing in a tent. This too is an indication that the scene is about an inner process. A tent – a temporary housing – is a common metaphor for the body.

The tent pole with a woman and a man on either side is a second metaphor on the card for the three energy channels. The woman and man shake hands; this stands for a unification of the polar energies. The man’s clothing shows – barely visible – a hexagonally shaped fountain. The same fountain can also be found on the Ace of Cups card of the Visconti-Sforza deck.

A fountain is a universal metaphor for a kundalini awakening. A hexagram is the symbol for the unification of the opposites (male and female energies). The man’s tights – one leg white and one leg red – fit beautifully with the fountain on his clothing: red and white are the colors of the polarity in alchemy.

A symbolic representation of the three energy channels, with a fountain as a metaphor for the awakened kundalini. The healing and trans- forming, divine energies flow in three streams to body, heart (feeling) and head (thinking).
Rosarium philosophorum (1550)

The Ace of Cups
Visconti-Sforza Tarot

A hexagram

On the roof of the tent is painted – barely visible anymore – in gold letters AMOR, as the god Cupido is also called. The Latin cupid means ‘desire’. When two people are attracted to each other, this stirs up primal forces in the lower abdomen, the area where the kundalini energy is also located.
This energetic turmoil can be used to awaken the kundalini. In order for the divine energy to rise to the sixth and seventh chakra, it is important that it is not ‘spilled’ by the lower chakras through sexual activity. The energy of Amor must be brought to ‘the roof of the tent’!

On the rim of the tent is painted the coat of arms of the Visconti family: the red / white cross of the House of Savoy, with whom there was an alliance, and the so-called ‘Biscione Viscontio‘: a blue dragon-like creature spitting out a red man. Interestingly, no one seems to know the meaning of this biscione on the weapon. What exactly does it represent and what is the connection with the Vicontis? Is it a snake or a dragon? Is it a child or an adult in the mouth of the biscione ? Is it eaten or spewed out? These uncertainties are – as with alchemical images – often an indication that there is a deeper meaning behind it that people could not, or did not want to, communicate in public.

The coat of arms of the Visconti family (Bibliothèque Nationale de France,
16th century)

Valentina Visconti depicted with the coat of arms (Miniature from ‘De Natura Deorum’ by Cicero, circa 1400)

The god Quetzalcoatl of the Aztecs

Biscione comes from the Italian biscia, which means ‘non-toxic snake’. The Visconti-biscione has all the characteristics of a metaphor that refers to a kundalini awakening. A serpent is the universal symbol for the kundalini energy. The biscione is blue in color; a reference to heaven / the divine.

On many images, the Visconti biscione has feathers or a crown. Both are a reference to a full awakening. When the kundalini process has been successfully completed, the serpent is often depicted with wings or feathers. A well-known example is the god Quetzalcoatl of the Aztecs, whose name means feathered serpent. Coatl means serpent and the quetzal was a beautiful native bird.

On the illustration (above) we see how Quetzalcoatl devours a man. Being eaten by the kundalini snake symbolises a transformation process. The Visconti biscione spits the man out: the process is complete. The color red of the man (he is not skinned, as some suggest) is an element from alchemy and refers to the final phase of the Magnum Opus: rubido (red).

The well-known Italian car brand Alfa Romeo has adopted the Visconti’s coat of arms for their logo.

The white dog on the Visconti di Modrone card, finally, refers to the animal (sexual) energies that must be brought to the higher chakras. On this card, the animal is playing happily at the bottom of the tent pole (spine). On the The Fool card of the same deck, we see this dog with completely different behavior: he is hanging on the man’s leg and has his teeth set in his flesh.

As we learned, when discussing this card, the Fool stands for spiritual unconsciousness. The “poverty” of a life without God. A road that, according to the card, leads to the abyss, and of suffering (being tormented by animal desires).

The Fool of the Visconti di Modrone deck
(15e eeuw)

The Visconti-Sforza lovers

The card The Lovers of the Visconti-Sforza deck has the same esoteric message, wrapped in slightly different images. Amor now stands on a pillar, between the man and the woman, at the height of their head: this is where he must be brought – inwardly -, this means. It is a spiraling pillar, referring to the movement of the ascending kundalini serpent. A hexagonal pattern is applied to the clothing of both the man and the woman: a reference to the hexagram. The top of the pillar is also hexagonal.

The Lovers from the Visconti-Sforza
deck (15th century)

The Tarot of Marseille

The Tarot of Marseille presents the theme of this card as a choice. A young man is standing between two women. Both are asking for his attention. Cupid hangs above them with a drawn bow and arrow. The details of this card are important in determining its meaning. In the versions of Jean Noblet and Nicolas Conver, the young man’s left hand stretches out to the crotch of the woman with the flowers in her hair. With his other hand he holds the belt around his waist. This combination stands for controlling the sexual drive.

Tarot of Marseille,
Jean Noblet (circa 1650)

Tarot of Marseille,
Nicolas Conver (1760)

Tarot of Bologna
(Giacomo Zoni, 1780)

In the centuries that follow, we see that the woman with the flowers looks increasingly sensual, representing seduction and sexual attraction. The other woman is wearing a laurel wreath. She stands for chastity; for overcoming the animal urges. This woman will look increasingly spiritual on decks that follow.

On The Lovers of the Tarot of Bologna, the woman wears a crown instead of a laurel wreath. The esoteric meaning of a crown is spiritual mastery. The young man is standing on a road junction. He has to make a choice. We also see this element on The Lovers of the Oswald Wirth Tarot (1889) and on the mosaic of Château des Avenières (1917).

Oswald Wirth Tarot (1889)

Château des Avenières (1917)

The spiritual aspect of this card is very important and can easily be overlooked by the apparent morality. It is not simply a call to chastity. The card shows that a choice must be made between either sensory pleasure or God. Not for moral reasons, but for the energetic consequences. To experience God the primal forces of our animal drives are needed. These must be saved and purified. In itself there is nothing wrong with sex and sensory pleasure, but if you long for God, then you have to choose what you will use your energies for. As the English say: you can’t have your cake and eat it too ...

If you choose God, it is certainly not required that you shy away from love. On the alchemical emblems of Johann Theodor de Bry and Basilius Valentinus (below) we see that Cupid has an important role in the process of god realization. The illustrations tell us that the energies of love must be stimulated. After distillation (transformation) they produce the ‘elixir of life’ (drink of immortality) that is coveted by the alchemist.

Emblem from ‘Proscenium vitæ humanæ sive Emblematum Secularium’ (Johann Theodor de Bry, 1627).
The long tunnel represents the spine.

Engraving of ‘The fifth key’, from the alchemical manuscript ‘The twelve keys of Basilius Valentinus’ (circa 1600). The alchemist fuels (man with bellows) the fire of love (Cupid). The sexual energy that is released during this process is sublimated (lion with crown). This makes the heart and the chakras fully bloom (the heart with the seven flowers). The inner duality merges into unity (one leg of the woman comes out under her skirt). The top of the huge distillation flask is attached to the head of the woman: stimulated by the rising energies, the pineal gland and pituitary gland produce hormones and endogenous opiates (the ‘elixir of life’).

The Rider-Waite-Smith Lovers (1909)

The Rider-Waite-Smith Tarot

The RWS-Tarot uses the Bible story about Adam and Eve to make clear exactly the same as all previous decks. Because the first people ate the forbidden fruits, they were driven out of paradise. This age-old story, which everyone knows, is about the choice that man has between short-lived earthly pleasures (the fruits) or the eternal divine (paradise).

The Tree of the Knowledge of Good and Evil, which Adam and Eve were not allowed to eat from God, is in us, just like the Tree of Life, which stood in the middle of paradise. If we choose sensory pleasure, our life energy flows through the ida– and pingala-nadi . This is the “Tree of the Knowledge of Good and Evil.” If we choose God, the kundalini awakens and flows up through our spine to the crown. This is the “Tree of Life.”

On the RWS card Eve stands in front of the Tree of Knowledge of Good and Evil. In the tree we see the serpent trying to seduce her to eat the forbidden fruits. When the kundalini energy is used for sexual activity, it is the serpent that seduces and incites ‘evil’ (i.e. the animal). The Tree of Life, which Adam stands in front of, is full of flames; a reference to the kundalini fire. The angel gestures with his arms that Adam and Eve have a free choice between the two trees.

There has always been a group of people who knew that most Bible stories are about inner, spiritual processes. We see proof of this in countless paintings in churches and museums. In the painting by Lambert Hopfer (below), Adam puts his hand on Eva’s breast, when she offers him a fruit. With this Hopfer wants to make clear to us in images what the deeper meaning is of the ‘forbidden fruits’. Michelangelo dared to go one step further. On his fresco in the Sistine Chapel, in the heart of Rome, the body posture of Adam and Eve suggests oral sex.

Lambert Hopfer, 16th century,
Detroit Institute of Arts, VS

Michelangelo, 1508-1512, Sistine Chapel, Rome

The Thoth Tarot

This card of the Thoth Tarot is also full of symbolism. Some elements refer to the sacred marriage: the inner union of the polarities (king and queen). The necessary sublimation of the animal instincts is symbolized by the red lion and the white eagle in the foreground.

In alchemy, a red lion stands for transformed animal forces. His tail, standing straight up, refers to the risen kundalini. An eagle symbolizes completion of the process of god realization. The color white stands for purification. Aleister Crowley himself explains these elements somewhat differently. If you are interested in his view, I recommend his book The Book of Thoth.

The Thoth Tarot (1969)


With many modern tarot decks, the deeper meaning of The Lovers card has disappeared. Perhaps the original meaning is best summarized with the words of God himself in the New Testament. When Jesus wants to visit Jerusalem, the capital of Judea, he instructs his disciples to go and get him a donkey. Then We read: And they went and found the colt tied by the door, outside at a crossroad, and they untied it (Mark 11: 4). Jesus takes a seat on the animal and enters Jerusalem with loud cheers from the crowd.

The meaning of this Bible quote is: our donkey (animal / sexual energies) is at a crossroad (we have a choice). If we release the animal (not suppress the energy, but let it flow) and bring it to Jesus / God (bring it to the higher chakras), He can use it to enter Jerusalem (our heart).

Jesus enters Jerusalem on a donkey (unknown artist, 15th century, Hermitage Museum, St. Petersburg).
The pattern on the cloth that is laid before Jesus symbolizes the rising of the kundalini to the pineal gland. Jesus makes the sign of the sacred marriage with his right hand.

The Magic Gate deck

(Vera Petruk, 2018)

The cobra, with its ability to rise itself and spread its hood, is used in many traditions as a metaphor for a kundalini awakening. On the card, Adam and Eve stretch out their arms to the falling blossom of the tree of life, behind the cobra. Between the roots of the tree, at the bottom of the card, lies the ‘forbidden fruit’: if the cobra / kundalini does not rise, man will be driven out of paradise.

Tarot of the Spirit,
(US Games, 1992)

The sacred marriage combined with the alchemical symbol for Mercury: the god who personifies the kundalini energy.

Pagan Otherworlds Tarot
(Uusi © 2016)

With its powerful symbolism, this card hits the nail on the head!

Pearls of Wisdom Tarot
(Caeli Fullbrite, Roxi Sim, 2007)

A striking metaphor for the sacred marriage: two trees merge into one (kundalini) tree.

This article has been published in Paravisie Magazine (July ’19). Copyright Anne-Marie Wegh 2019

Anne-Marie Wegh is the author of the book
John the Baptist who became Jesus the Christ

Illustrations from the tarot decks, reproduced by permission of U.S. Games Systems, Inc., Stamford, CT 06902. c. by U.S. Games Systems, Inc.  All rights reserved.
Foto’s Châteaux de Avenières: http://hermetism.free.fr/Avenieres

By |2020-02-05T14:12:10+00:00February 1st, 2020|Anne-Marie, Paravisie, Tarot|Comments Off on Tarot 6. The Lovers